top of page
StephiewithMartini2-ezgif.com-optimize.gif

She was born in 1898 in a barn.
She died on the 37th floor of a skyscraper.
She's an astronaut.

She was BORN IN 1898 IN A BARN. SHE DIED ON the 37th floor of a skyscraper. she's an astronaut.

My name is Stephie Coplan and I'm Executive Creative Director at                               .

Before that, I was ECD and Head of Agency at                          , Alex Cooper's media and lifestyle brand.

But wayyyy before all of that, my career started here, in this exact moment:

Fallon_Logo.png
Unwell Secondary Logo 3.png
hello name tag (1).png

Some kids come out of the womb calmly assembling Lego castles with the concentration of a German watchmaker and you just know they’re headed for a future in orthopedic surgery or actuarial science or whatever profession requires a person to enjoy following instructions. Other kids hurl themselves off the roof of a treehouse with a beach towel tied around their neck and you think: there goes tomorrow’s stunt pilot.

 

If I could’ve chosen my own destiny, I probably would’ve become an astrobiologist. I spent my whole childhood convinced that I was an alien. But at age six, when I won my first advertising award, it became clear that I was something far stranger, more grotesque: a copywriter. 


I spent the next twenty years attempting to outrun it. Right out of college, I became a case assistant at a law firm in Boston, where I learned that there is a right way and a wrong way to attach two pieces of paper in the eyes of the American legal system. Was it a staple when it should have been a paper clip? A paper clip instead of a staple? To this day, I don't know. But I was put on a PIP within what felt like my first seven minutes, so I moved to New Jersey to be the operations manager at an education non-profit, where I continued to wreak even more paperwork havoc. Somewhere in Newark, there is probably still a fluorescent-lit building technically operating outside the law because I got distracted making a playlist.

​

To be fair, it was hard to care about all the PAST DUE envelopes piling up on my desk because my band had just gone semi-viral on YouTube and we were somehow charting at #15 on rock radio. So I quit my job, signed a management deal, went on tour, and sorta-kinda lived in my Honda Odyssey. It was fun, but it's the kind of thing you can only do when you're twenty-five.

​

By twenty-six, I was certain that if I had to eat one more gas station snack or Starbucks pastry for dinner, I would die.  So I sold my van and stumbled ass-backwards into an ad agency. And for the first time in my adult life, I felt like I was finally home. 

​

It was as if I had been a sleeper agent my whole life, and my first creative brief activated me like the Manchurian candidate. I sprang to life like a cursed doll, spewing headlines, and never stopped. 

​

Since then, I’ve worked agency-side and brand-side, at giant companies and tiny ones, in America and Canada (a random six-year side quest), both the well and the Unwell. I've launched and relaunched brands and made work that has put them at the center of culture. I’ve been recognized at international award shows, won Fortune 50 pitches, turned around creative departments, built agencies, taught advertising classes, and made some of my best friends along the way.


I'm proud to be living proof to creatives entering the industry that you don't have to go to ad school or win a million pencils or have a portfolio full of Spike Jonze spots to succeed. Just work hard, be nice, and make stuff you'd want your ex to see. 

​

Outside of work, I’m usually writing songs, reading, hiking, gossiping with my dog, exploring the LA food scene, or threatening to write a novel. Maybe something about aliens. I don't know. 

​​

📰  WSJ: "'Call Her Daddy'' Podcaster Opens an Unwell Ad Agency" 

💡  Fast Co: #2 Most Innovative in Marketing & Advertising

🎤  Interview on Breaking & Entering

Some kids come out of the womb calmly assembling Lego castles with the concentration of a German watchmaker and you just know they’re headed for a future in orthopedic surgery or actuarial science or whatever profession requires a person to enjoy following instructions. Other kids hurl themselves off the roof of a treehouse with a beach towel tied around their neck and you think: there goes tomorrow’s stunt pilot.

 

If I could’ve chosen my own destiny, I probably would’ve become an astrobiologist. I spent my whole childhood convinced that I was an alien. But at age six, when I won my first advertising award, it became clear that I was something far stranger, more grotesque: a copywriter. 


I spent the next twenty years attempting to outrun it. Right out of college, I became a case assistant at a law firm in Boston, where I learned that there is a right way and a wrong way to attach two pieces of paper in the eyes of the American legal system. Was it a staple when it should have been a paper clip? A paper clip instead of a staple? To this day, I don't know. But I was put on a PIP within what felt like my first seven minutes, so I moved to New Jersey to be the operations manager at an education non-profit, where I continued to wreak even more paperwork havoc. Somewhere in Newark, there is probably still a fluorescent-lit building technically operating outside the law because I got distracted making a playlist.

​

To be fair, it was hard to care about all the PAST DUE envelopes piling up on my desk because my band had just gone semi-viral on YouTube and we were somehow charting at #15 on rock radio. So I quit my job, signed a management deal, went on tour, and sorta-kinda lived in my Honda Odyssey. It was fun, but it's the kind of thing you can only do when you're twenty-five.

By twenty-six, I was certain that if I had to eat one more gas station snack or Starbucks pastry for dinner, I would die.  So I sold my van and stumbled ass-backwards into an ad agency. And for the first time in my adult life, I felt like I was finally home. 

​

It was as if I had been a sleeper agent my whole life, and my first creative brief activated me like the Manchurian candidate. I sprang to life like a cursed doll, spewing headlines, and never stopped. 

 

Since then, I’ve worked agency-side and brand-side, at giant companies and tiny ones, in America and Canada (a random six-year side quest), both the well and the Unwell. I've launched and relaunched brands and made work that has put them at the center of culture. I’ve been recognized at international award shows, won Fortune 50 pitches, turned around creative departments, built agencies, taught advertising classes, and made some of my best friends along the way.

​

I'm proud to be living proof to creatives entering the industry that you don't have to go to ad school or win a million pencils or have a portfolio full of Spike Jonze spots to succeed. Just work hard, be nice, and make stuff you'd want your ex to see. 

​

Outside of work, I’m usually writing songs, reading, hiking, gossiping with my dog, exploring the LA food scene, or threatening to write a novel. Maybe something about aliens. I don't know. 

​

Press:

​

📰  WSJ: "'Call Her Daddy'' Podcaster Opens an Unwell Ad Agency" 

💡  Fast Co: #2 Most Innovative in Marketing & Advertising

🎤  Breaking & Entering: Interview

​

Gemini_Generated_Image_gg8siogg8siogg8s.png

Resumé

  • images.png

    Executive Creative Director  |  June 2026 — right now
     📍 Los Angeles, CA

    Tapped to open Fallon’s newly established Los Angeles office, overseeing creative vision, team building, new business, and integrated 360° campaigns for global brands.

    Select clients:

  • unwell_logo.jpg

    Executive Creative Director & Head of Agency  |  Sept. 2025 — May 2026
    📍 Los Angeles, CA

    Co-created Unwell’s in-house creative agency along with founders Alex Cooper and Matt Kaplan, building its creative capabilities and leading integrated campaigns across its growing media and entertainment portfolio. Featured in the WSJ, Fast Co, and more.

    Select clients:

  • images.jpg

    VP, Group Creative Director  |  Oct. 2024 — Sept. 2025
    Creative Director  |  June 2023 — Oct. 2024
     📍 Los Angeles, CA

    Oversaw the entire LA creative department and provided social and digital creative vision for global brands while driving new business growth through a landmark $40M T-Mobile social AOR win.

    Select clients:

  • Icon_WAS-RED-512-X-512_WAS-512-X-512-01.webp

    Senior Creative Director  |  October 2022 — June 2023
     📍 Los Angeles, CA

    Served as the most senior creative leader under the ECD of Narrative, We Are Social's earned and PR arm, leading celebrity and influencer social campaigns.

    Select clients:

  • HUuMPZfl_400x400.jpg

    Associate Creative Director  |  May 2021 — Oct. 2022
     📍 Los Angeles, CA

    Developed integrated creative campaigns for some of Keurig/Dr. Pepper's largest soft drink, hydration, and coffee brands as one of the first employees of their (now defunct) in-house agency. 

    Select clients:

  • images-1.png

    ACD/Writer, The Garden  |  June 2020 — May 2021
     📍 Toronto, ON

    images-2.png

    Senior Writer, Leo Burnett  |  June 2019 — June 2020
     📍 Toronto, ON

    images.png

    Writer, john st. |  Feb. 2017 — June 2019
     📍 Toronto, ON

    Worked on a bunch of Canadian brands and learned how to use strategy and craft to punch above the budget's weight. 

    Select clients:

    Pink Poppy Flowers
  • apple_logo.jpg

    Freelance Writer |  July 2016 — Feb. 2017
     📍 Cupertino, CA

    Worked in-house at Apple Marcom on the Interactive team while I waited for a Canadian work visa.

  • kirshenbaum_bond_senecal___partners_logo.jpg

    Copywriter  |  Oct. 2015 — July 2016
     📍 Toronto, ON
    Account Executive |  Jan. 2014 — Oct. 2015
    📍 New York, NY

    Started out as an account executive and then Peggy Olson'ed my way into creative.

    Select clients:

77302D8F-FD73-4DFA-874D-E99353820FBA.JPG

Selected Recognition

© 2026 Stephie Coplan. Site design by me!
bottom of page